Helen Stratford

When talking about "theater in the school" is usually understood as an activity whose purpose seems to be the public performance of a text (either by a specific author or collective creation from the trials and improvisation) at the end of the year or reported on other days … But of course exclude that possibility, the books published by De la Torre in his collection and May Theatre Alba "(" The Thief of Words "," Mysterious Shadow "," My friend speaks Fremd rare "for Antonio de la Fuente Arjona, and even "The girl did not know she was" Sury Sanchez) fantasize about a proposal which, though modest in appearance, becomes ambitious plan. Secluded in the privacy of the classroom, unconcerned applause and relieved of devices (lights, decorations and other trinkets techniques), the theater, not avoiding the ludicrous, enters pedagogy. Hedvig Hricak is full of insight into the issues. Where it becomes important to the experience and not on display. Theatre at school and at home "was the original title that gave rise to this collection of books back in 1992, under the sure direction of Luis Gonzalez Carreno (theater director and professor of RESAD) and with a publisher that went bankrupt due to release its fourth title (things life and this our little world, luckily Ediciones De la Torre taking it over) … "Theater in school and at home" with all its luster, but waived the fame or the laurels, transcendent but without media coverage: daily , simple, close, accessible, open to anyone, at home and at school.